Reviews:130

MATOM_LAY_07.inddMatom
Love Mistakes
Planet E

Conceived as an aural tribute to the ‘Hansa recording studios’ on Köthener Straße No. 38 in Berlin, this long player courtesy of Matt Edwards (aka Radio Slave) and Thomas Gandey (aka Cagedbaby) not only boasts purely live instrumentation but also the transcendent atmosphere of the music produced. Hansa was made famous by the likes of David Bowie, Iggy Pop, Tangerine Dream and Depeche Mode, amongst many significant others and is obviously a hard act to follow with the album taking its main inspiration from Bowie’s 1977 masterpiece Low. The result is a suitably stunning experience which blends a rich mixture of beats and percussion augmented by an intense musicality that is as far away from the mindless repetition of Tech House as you could imagine. Indeed, you could for example say that the piano played on Piano 2 Variation 4 has been spiritually guided. Or, try soaking up the haunting, ambience triggered by Hansa itself complete with taught electro drums, while the concluding title track ends on a wash of Fender Rhodes echoing your imagination to hear the excellence all over again…

release: September 15

listen: http://www.juno.co.uk/products/matom-love-mistakes-stereo/541042-01/

https://www.facebook.com/like.radio.slave
https://www.facebook.com/ThomasGandeyOfficial
http://planet-e.net/constructor

H FOUNDATION
HEAR DIS SOUND (Remixes)
SIESTA RECORDS

Hipp-e and Halo’s distinctive release from just under ten years ago now gets revitalised via an excellent set of remixes transforming this gem directly into 2014. Beginning with Yousef’s great version that sets addictive organ notes against a fiery backdrop of hypnotic percussion and pulsating beats this is built for the repeat button. The Space Coast take is next combining sparkling synths and tough bass, followed by Sneak’s relentless attack on the senses. Franck Roger’s outstanding funky bassline driven remix then scores high, while DJ Buck adds a cool Disco flavour with a twist. Craig Richards then defies expectations by dropping the tempo into darker territory with a heavy dose of sound effects, leaving Adam Shelton to pick up the pace once again with another suitably punchy rendition that rocks the floor. All good.

http://siestarecords.com

https://soundcloud.com/siestarecords/sets/h-foundation-hear-dis-sound-1

Walter Ego
CTRL+ALT+DEL EP
2020 Vision

Surpassing the computer functionality of the title this strips it back to basics via a pumping House beat and accompanying bassline. Not quite so sure about the vocal line despite its obvious catchiness but then there is always a great Dub version to contend with. Or, the excellent PBR Streetgang Remix which transforms the vocal into filtered nirvana via an array of swirling synths and an ecstatic arrangement. Second track, The Project delves deeper again with a detuned vocal loop, as does the addictive The Pattern which is complimented by a first rate rhythm section.

release: September 11

https://www.facebook.com/djwalterego
http://2020recordings.com

https://soundcloud.com/thump/walter-ego-ctrlaltdel-pbr-streetgang-remix

Slow Hands
Everything (We Are)
Wolf + Lamb Records

What’s not to like about this. After all if breathy vocal deliveries and syncopated basslines backed up by punchy drumming are your thing then this is just right on the opening, ‘Miss White’. While the title track has a restrained yet slightly epic feel to it care off a rousing chorus line backed-up by Dave Robertson’s vocals and atmospheric instrumentation. Who then re-appears as Cameo Culture for the remix by adding a funkier attitude to the proceedings. Finally, Second Fiddle again weaves the delicate vocals through a musical fabric that sounds playful and enjoyable.

release (digital): September 15

https://www.facebook.com/iamslowhands
http://www.wolflambmusic.com

https://soundcloud.com/slowhands/sets/everything-we-are-ep-1

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reviews:59

Anthea
Distraction EP
One Records

Subb-an & Adam Shelton’s One Records are about to release their finest moment to date. Anthea’s sublime yet slightly distressing production bears all the hallmarks of a classic in the making, with its sizzling electronic rhythms feeling heavy-duty and inescapably funky. Although, perhaps what’s most enticing here are the deliciously sleazy sounding vocals intoning, ‘I can’t dance when you’re next to me’ – hence the records title. First remix comes from Dan Ghenacia who reliably adds some extra juice to arrangement with more insistent bass, swinging hi-hats and haunting keys. The second is by Subb-an whose apt 5am Remix again delves deeper with throbbing basslines, more revealing vocals, and a masterly Murk feel that always sounds killer.

release: August 20

http://soundcloud.com/one-records/one-016-anthea-distraction-e-p

http://soundcloud.com/anthea-marie

http://www.onerec.net/

 

Hand Plant
Gone Ghost
Disco Boodlbath Recordings

The second release from London’s Disco Bloodbath is even better than the first. In fact, it’s an excellent piece of music. Combining the talents of the imprints own Ben Pistor and one half of Maxxi Soundsystem Sam Watts this swirling exploration of synthetic sounds feels like a trip through a myriad of influences, which define the finer point s of electronic music, from somewhere in the eighties until now. Love the sense of melancholy melody too as Gone Ghost isn’t shy of exploring a rollercoaster of emotions, then Jamie Blanco’s Acid Rework dives head first into 1988 with Acid enhancing the already expansive chords. The stunning, Arpy finishes in a blaze of intensity, complete with nasty sounds and grandiose Nu Beat references – this is nothing short of epic.

release: 8th August 2011 (Vinyl) / 21st August (Digital)

http://soundcloud.com/disco-bloodbath-london/sets/hand-plant-gone-ghost-clips

http://www.discobloodbath.co.uk/

 

 
Matthias Tanzmann
fabric 65
fabric

fabric continue their pioneering journey through sound with number 65 occupied by Matthias Tanzmann. The words deep, dark and soulful all crop up when listening to this extraordinary blend of  engaging music that begins with the strange jazz of Minimono’s ‘Venus’, passes through Monkey Maffia’s supremely funky ‘Sources From The Past’, via twist and turns from Maya Jane Coles and Davide Squillace. Also featured is his own superlative reworking of Silicone Soul ‘Right On, Right On’ plus Alexis Cabrera’s bizarrely groovy ‘Everything’, which you’ll find in amongst any number of other not so hidden gems. You could also use the words stunning and stylish.

release: August 20

http://www.matthiastanzmann.com/

https://www.facebook.com/matthiastanzmann?ref=ts

https://twitter.com/matttanzmann

http://www.fabriclondon.com/

 

OXIA
HOUSEWIFE feat. Miss Kittin
InFiné

Love the Wipe Out Remix of this track from the recent Tides Of Mind album, as it combines sleazy hi-nrg syncopation along with dead-pan, somewhat camp vocals from Miss Kittin extolling the virtues of being a ‘housewife’. Joy. Powered by a huge Kick drum and a bunch of eighties references this sounds like a fun place to be at. An Extended version of the Original also appears (see below) with remixes from Society of Silence who treat it with a much more intense Techno edge, while Yannick Baudino takes it deeper with pulsating beats and atmospheric synths.

release date: August 20 (V) September 3 (D)

http://www.oxia-dj.com/

https://www.facebook.com/OXIA.official#!/misskittin

http://www.infine-music.com/

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