Reviews:115

Vinicius De Moraes
Modernism And Bosa Nova
el/ Cherry Red Records

VINICIUS DE MORAESIf the title doesn’t immediately grab you then music most certainly shake you upside down. Although almost despite its title the music owes as much to the film’s it sound tracked as it does to the bright lights and rhythmic swing of Rio de Janeiro. To put this into context Vinicius De Moraes wrote the play that became the infamous Black Orpheus as well as co-writing The Girl From Ipanema made famous by Joao and Astrud Gilberto. The tracks shuffle between the highly charged atmosphere opening Orpheus of the Carnival (Overture) from 1956 and the Latin flair of Ana Lucia’s Agua de beber, alongside the torch song vocals of Alaide Costa and Baden Powell’s acoustically strummed Sem voce. Occasionally words are spoken, but mostly sung while the music all contains a certain sparkle that transcends the time and language barrier remarkably well. Indeed, if the sun remains accompanied by Cocktails in the evening this could well be your winning spring/ summer soundtrack.

http://www.cherryred.co.uk/el-exd.asp?id=4510

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Alex Mine and Stiv Hey
The Paths EP
Uno

There is little else to say about Closen Path apart from it ROCKS. And if you get sucked in by the idea of grinding, relentless repetition then this is just perfect. Sitting somewhere between Techno and House, although frankly more of the former, these pulverising grooves are irresistible with dark voices teasing alongside crisp drums and a tense arrangement of sounds. Separate Path repeats the formula this time with more emphasis on the bass tones and again comes with twisted vocals adding colour.

release: March 17

https://www.facebook.com/alexmineofficial
https://www.facebook.com/StivHey

https://soundcloud.com/alexmineofficial/sets/alex-mine-stiv-hey-the-paths

Eduardo De La Calle
The Motorglider EP
Cadenza Records

Another slice of captivating music from Cadenza sees the Spanish producer once again stun you with an array of captivating sounds. Beginning with the delicate, rich textures of Somewhere In Your Arms which plays a set of original electronics over pulsating tribal beats feeling musical and progressive – in the sense that its transporting you somewhere new. Next, Altar De Sacrificio is altogether more Tech with sparkling synths offset by brooding pads in the cinematic sense, while final track Broken Bonus twits moody stabs over cool broken beats to complete this first rate EP.

release: March 4

http://www.eduardodelacalle.com
http://www.cadenzamusic.net

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