Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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Greg Fenton reviews Lumtz – Tesoros – We All Speak In Poems Peeking behind the curtain reveals that life is rarely ordinary. Chance encounters, fractured moments and unexpected turns all find their analogue in Lumtz’s reworking of electronic sound into unfamiliar yet beautifully realised forms. Across Tesoros, the music flows like a river, moving between…
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Gryph arrives with Nash Angeles as an artist fully stepping into his own mythology, a Nashville born guitarist with blues in his fingertips, reborn in Los Angeles with a newfound devotion to dancefloor alchemy. His debut LP on Elbow Grease does not just merge two cities; it fuses entire musical lineages, folding rock grit, spiritual…
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Greg Fenton reviews Paul Haslinger and Christian Wittman – Mallarmé – noion Music Four expansive pieces of music inspired by Mallarmé’s Un coup de dés jamais n’abolira le hasard are brought together in this artistic collaboration, which feels revelatory and invites the listener into a bold, deeply immersive musical world. The enduring power of the…
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Greg Fenton reviews Silver Man – Paint Me in Gold – 3 Bar Fire Records Music of quality and distinction lies at the heart of David Silverman’s latest production. The mysterious, poetically charged voice of Cass anchors a compelling piece, gliding over commanding drums and conveying fractured emotions that evoke longing and unease. Chopped-up keys…
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Greg Fenton reviews FeelGood – Dirty Fly – DIRTYBIRD The week may have ended, but the music hasn’t stopped. Dirtybird, and more specifically FeelGood, serve up this notably fiery groove in a world that sometimes lacks musical excitement, primed with an explosive edge that turns your head. Dirty Fly doesn’t quite sound like anything else,…
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Greg Fenton reviews Sasha – Hollow Sun – Last Night On Earth Sounding like every expectation of nights out across the decades, this latest production from Sasha doesn’t so much reignite the past as redefine it. You can’t help but feel the pride of history running through Hollow Sun25, conveyed through its swirling pads, flashes…
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Greg Fenton reviews The Silent Harvest Volume Two – Folk Police Recordings We can safely say that summer has arrived, bringing with it days of lazy haze and dreams of air conditioning. Thankfully, there is something innately and deeply satisfying about this collection of music inspired by the late-sixties album by Ewan MacColl and Peggy…
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Greg Fenton reviews Instruments Of Rapture – Certain Realities – Instruments Of Rapture There’s always a twist in the tale, new ways to tell the same story if only you take the time to look. I get that feeling from Make It Right, which opens this EP, channelling a sense of history through a contemporary…
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Greg Fenton reviews Galcher Lustwerk – Vestibule Remixes EP – Stratasonic Following the release of the Vestibule EP earlier this year comes a tantalising collection of remixes, each exploring its own distinct mood and rhythmic identity. Ricardo Villalobos opens proceedings with two exceptional reworkings of the title track, with the more forceful VOLPAT Cut 2…
